A FRENCH EVENING OF FABULOUS HOSTS, FOOD AND WINE AND A ROOM SIZZLING WITH A DIVERSITY OF FANTASTIC FELLOW SOUTH AFRICANS

Pictures: HENNIE FISHER

ATTENDING a fabulous dinner at the French Embassy, DIANE DE BEER lost her heart not only to the fantastic food and spectacular wines, but especially to the savvy of her French hosts and the sassiness of her fellow South Africans:

A small but pretty selection of the garden as you enmter the residence grounds.

It  was the French Embassy’s Goȗt de France dinner that again reminded me of one of our best attributes – our people.

Myself with the stylish Itumeleng Makhoi; and above right, First Lady of Lesotho Mrs Mammusa Masekoalane Majoro and Namibian olympian hockey player David Britz.

Here we were in all our diversity from two soon-to-be Olympian hockey players (one representing South Africa and the other Namibia, but we claim him because he is studying at UJ) to a fashion designer whose calling card was her fabulous style on the evening, a stylish young gentleman who imports champagne for local enthusiasts, a sassy lawyer and a smart landscape architect.

Two chefs, Mpho and Mohau Seshoene (aka The Lazy Makoti) with the French Ambassador H. E. Mr David Martinon , and on the right, landscape architect Mosa Seshoene and Adv. Kutlwano Motla (or The Boujee Traveller, a travel content creator)
PICTURE: French Embassy/Aldina Mujkanovic

And that’s just a handful. There was the woman with the red headpiece and the sexy red stilettos who turned out to be the First Lady of Lesotho Mrs Mammusa Masekoalane Majoro and it wasn’t just her style that was exuberant, her personality was a perfect match. But the same could be said of the two young lasses (above) also at our table, the one a landscape architect and the other a lawyer, both of whom had as much sass as they had style.

A predictable but splendid welcome

It has always been one of the French Embassy’s secret weapons. There’s someone there who knows how to put a spectacular group of South Africans together. This time the current ambassador H.E. Mr David Martinon noted that because of the upcoming Olympics in Paris, they had hoped to combine food and sport but that wasn’t always achievable.

But what they did manage was to showcase people who displayed our most  extraordinary strength – diversity.

French Embassy chef André Ahiba (left), who has served nine Ambassadors with his staff in the kitchen.
PICTURE: French Embassy/Aldina Mujkanovic

All of this was also reflected by the charming Ambassadorial couple, H.E. Mr Martinon and his wife Karen, in the food on the night which was the brainchild of the embassy chef, André Ahiba, who has served nine ambassadors and celebrated French cuisine in marvellous fashion.

A melange of seafood

The starter was a mini seafood combo with a prawn poached in its own bisque paired with a beautiful panfried scallop. It was delicious and a fine launch into the rest of the meal.

Slow-cooked Karoo lamb shank with imaginative accompaniments.

This was followed with slow-cooked Karoo lamb shank which paid homage to produce from a specific region and then similarly, to sustainability. The accompaniments included pomme dauphine and julienne courgettes. But the piece de resistance was a morille farcie, which my chef partner said he knew about but had never eaten. When looking for a translation, stuffed mushrooms pops up, but the best I can do is to say that the chef noted it was extremely expensive and the taste was that of mushrooms, very intriguing.

Brie truffe Brioche, the cheese course.

This was followed by their cheese course which again displayed a wonderful individuality of thought. What could have been easier than presenting us with a selection of French cheeses. Everyone would have been wowed. But again the chef imaginatively presented us with Brie truffe Brioche (a brioche with truffle brie is my translation) which I loved, served with a salad, it was different and tasty.

A sweet surprise.

The other nod to South African produce was a Rooibos white Valrhona tart with a red fruits and a biscuit financier (which has its name because of the shape reflecting a gold bar!).

What I liked about the menu was that it felt pared down in the best sense of the word. Every dish had some extraordinary qualities but in conclusion, one left the table replenished yet comfortable.

The food was complemented with phenomenal French wines. I am by no means a wine specialist but from the apéritif served with the most delicious foie gras squares brightly decorated with rose leaves out of the spectacular embassy garden, Champagne Gobillard rosé 2016, followed by Chablis Cru Domaine Long-Depaquit 2022 and the most amazing of all, the Château SIRAN Margaux Haut Médoc 2017, and then the Petit Ours Blanc Domaine Matthieu Barret 2014 and finally yet another fantastic Champagne Mumm Olympe demi-sec.

When countries want to show off their quality and they do it this well, those of us invited to participate in the tasting, cannot but go overboard with the praise.

And in the final analysis it was the full package that gift-wrapped this evening so magnificently. From the arrivals which take you through some of the prettiest gardens to the entrance where you are met with a glorious ensemble of citizens hosted by an enchanting ambassadorial couple who as a bonus also have their young daughters meet the guests and show off some French charm.

The staff are magnificently dressed with gorgeous smiles as they gently see that the guests on the night are suitably cared for.

And then my fellow South Africans introduced to me by the French ambassador. I think I have said as much as I can and can simply add that it was an evening that I couldn’t have been more proud to be South African.

And I have the French to thank for that.

Merci beaucoup.

Vive la France!

CHEF LIENTJIE SHARES THE MAGIC OF MUSHROOMS IN INSPIRED CULLINAN CULINARY MASTERCLASS

DIANE DE BEER talks to the chef about the favoured ingredient:

For followers and fans of the creative chef Lientjie Wessels, her latest venture is a workshop on mushrooms on Saturday (March 2) in Cullinan.

Because of her individual style in anything she does and her vast knowledge and instinctive approach with food, expect the unexpected.

As an ingredient, mushrooms are growing bigger and bigger each year, she offers as an explanation for this particular subject. “It’s also a very interesting food. There’s so much that is still unfamiliar about mushrooms. Incredibly, there are approximately 10 000 varieties of which we only eat 30 and then about another 20 we know of that are  used in medicinal ways,” she explains. “There’s always been  a huge interest in mushrooms which I know will become even more intense in the future.”

She’s also intrigued by the fact that when taking the DNA of a mushroom into account, it is the ingredient that has the most in common with meat. Add to that its depth of flavour and as a bonus, a strong nutritious component as well.

For Lientjie, the importance of mushrooms as an ingredient, is their versatility. “You can even use it in a dessert,” she says. “It’s incredible what you can do.” She includes anything from mushroom kombucha to candies – savoury and sweet. And if anyone can let their imagination run riot in the kitchen, Lientjie is that person.

Think of the huge interest in and growth of the plant-based way of eating and thus cooking, and she knows her instincts are red-hot. Why not mushrooms, is how she views her choice.

Some of her ways with mushrooms which she will include in her masterclass, are how to make a powder, which means you always have some on hand; the equivalent of meat patties with lentils and mushrooms; candied mushrooms; or a hearty winter.

Each kind is so different and that’s why she encourages keen cooks to get to know their mushrooms and how to make the best decisions. “I can’t stand it when I’m served a watery mushroom sauce because it’s been cooked incorrectly,” she says. If you take oyster mushrooms as an example, just the different colours make her happy. And each mushroom has different traits which should be emphasised.

Describing her own food preference as flexitarian, it means she eats less meat and is more conscious of where food comes from. “What are the processes ingredients have undergone?” is what plays on her mind. Being a thoughtful eater is what our future should be all about.

It has long been an ethos, but more recently, because of the Greta Thunbergs of the world, the youth is much more aware of working more gently with the planet. The way foods are manipulated for example plays a huge role and will become more urgent in the future.

“I don’t mind meat or tripe for that matter, but I have a problem with how it is treated,” she says. But then she’s off in another direction as she muses about mushroom sausages. And why not?

Her belief is that you can really wow people with mushrooms  –  and, with her cuisine creativity, probably with anything she puts her mind to. She likes putting things together in ways which are unexpected.

She describes mushrooms as  one of the super foods that will keep growing in popularity.

There are so many advantages. For example, they are easy to grow. We still know way  too little, and could learn more and more.

If you haven’t heard of Chicken of the Woods (love that name!), know of the fermentation process, or of the different coloured oyster mushrooms, this will be the class for you.

Think about it, says Lientjie, you can harvest mushrooms every few days and even grow them in small spaces like an apartment. “What’s not to love about them?” she asks. Combined with sprouting lentils, for example, you have food. It’s an amazing source of protein!”

By now you might have gathered that Lientjie is excited about mushrooms. “People should grow their own food and know the source of what they buy,” is her dictum. Which, to her mind, makes mushrooms such an easy option.

“They can be eaten all year round. You can go for something as easy and fresh as a raw mushroom salad for example. “I love the smell of a raw mushroom when I cut them,” she notes. “Just add some lovely Kalahari salt, and you have a meal.”

But she warns, mushrooms don’t work when they’re not well cooked. “If you make a mushroom sauce or fry mushrooms, do it right, or you might just serve your guests breakfast mushroom mush.”

She advocates using mushrooms more creatively and that’s what her workshop is all about.

“This is my first mushroom workshop, but it won’t be the last,” she says.

How can you resist?

The programme on the day is the following:

11.30am: Mushroom kombucha cocktail and mushroom canapés

Noon: Short intro into the wonders and umami on cooking with mushrooms

12.15pm: Recipes and goodie bags in the kitchen where we will all proceed to make:

Fermented mushroom

Mushroom umami powder

Mushroom burgers

Classic mushroom salad

2pm: Take your seat at our beautiful table to be served a lovely meal

2.30pm: Surprise dessert

R750 per perso0n including class, welcoming drink, lunch, recipe folder and goodie bag.

Wine and gins available for your account.

Contact 082 531 6141 for bookings and directions.

Don’t hesitate, Lientjie is inspirational in the way she approaches food.

A CELEBRATORY MOMENTUM BELEGGINGS AARDKLOP RETURNS WITH A SPARKLING SMORGASBORD OF EXCELLENT THEATRE

It’s the time of festivals with Aardklop opening with a celebration of jacaranda showers and shows from October 3 until 8. DIANE DE BEER points to a few of her favourites:

When I look at festivals, what they have to offer, I always go to theatre first. It’s my passion, people who tell stories.  Fortunately, I know that stories are an integral part of the arts and are told in different ways. That’s what makes a festival such a delight.

Die Moeder with Sandra Prinsloo and Dawid Minnaar. Picture: Emma Wiehman.

But let’s start with theatre. If you haven’t seen Sandra Prinsloo’s Die Moeder yet or even if you have, see it again. It’s one of those once-in-a-lifetime performances even if she has had many of those. It’s a story of a woman ageing who has lost her heart and her soul as she feels discarded and left out of the dance of life.

That might sound horrific, but the text and the ensemble cast, including the magnificent Dawid Minnaar, Ludwig Binge and Ashley de Lange with exciting directing by Christiaan Olwagen, present huge rewards.

Bettie Kemp and Dawid Minnaar in Mirakel.

On a lighter note, Marthinus Basson, a Reza de Wet genius, presents probably her funniest play, titled Mirakel. With another fantastic cast, including Rolanda Marais, Carla Smith, Dawid Minnaar, Edwin van der Walt, Bettie Kemp and Ebin Genis, it takes us back in time when theatre was presented by traveling companies, which went from town to town, region to region.

That already puts a smile on my face, and when you get this almost ragtag band of actors together, trying to save their lives by enhancing their livelihood with all the drama of the time and the company, it’s a scream. Just seeing Minnaar, who we are used to seeing on stage in serious mode, is a delight as he lights up the room with his angst and artistic temperament.

Braam en die Engel with Joannie Combrink, de Klerk Oelofse, Rehane Abrahams and Shaun Oelf, directed by Nico Scheepers, has all the elements for something quite enchanting. Add to that Kanya Viljoen who adapted the text from a YA book with the eponymous title, Grant van Ster as choreographer, Franco Prinsloo as composer and Scheepers and Nell van der Merwe on props and puppets as well as set, costume and lighting design, it’s a no-brainer.

Described as a magic realism experience for the whole family, this sounds worth driving for and not to be missed. I don’t even know the book although the title does the trick, but the artists involved get my backing all the way.

Geon Nel in Hoerkind. Picture: Gys Loubser.

Also based on a book, Hoerkind, written by Herman Lategan and adapted by Francois Toerien, tells the writer’s own story about a life in tatters when as a six-year-old he is sent to an orphanage. His stepfather shoots at him, at 13 he is stalked by a paedophile, and he turns to drink and drugs to stay sane, this solo production is directed by Margit Meyer-Rödenbeck, with Geon Nel in the title role.

The young boy’s missteps are many as he tries to survive. It’s a hair-raising story of loss and triumph in a world that is feels as if it is against him as he valiantly fights to survive.

Goed wat wag om te gebeur. Picture: Nardus Engelbrecht

Another debut production, Goed Wat Wag Om te Gebeur, has impeccable credentials with a cast featuring Antoinette Kellerman, Gideon Lombard and Emma Kotze with Philip Rademeyer as playwright and director (reworked in Afrikaans from The Graveyard).

Hendrik returns home after 15 years but, because the house is deserted, he decides to wait in the cellar where he spent his childhood years. It is empty, but the family’s secrets and history thicken the air and form part of the foundation of the house. Three figures keep appearing – his hardened sister, his petite mother and his lively girlfriend … and secrets and lies come to the surface.

Droomwerk. Picture: Lise Kuhn.

Droomwerk spotlights Jill Levenberg, Ben Albertyn, Johann Nel, Tyrish Mili and Johann Vermaak, directed by Kanya Viljoen and Lwanda Sindaphi. It unfolds as a dream as the title suggests. Petrus is the one who dreams about his family’s complex past: his ancestral mother, Diana of Madagascar, is looking for her daughter; and his grandfather, an apartheid senator, is dying.

The play deals with conflict, alienation and disillusionment. Will Petrus find the answers that bring him peace? Written by Pieter Odendaal, the text has already garnered an award for the best drama by the ATKV Woordveertjies.

Cindy Swanepoel and Zak Henrdrikz star in Henrietta Gryffenberg’s text 1 (Een) – described as a tragicomedy about love. Directed by Alby Michaels with choreography by Craig Morris and original music by Coenraad Rall (Amanda Strydom’s accompanist), it’s all about once upon a time … there were two people so fond of one another that they grew,the one into the other.

With too much togetherness, the two eventually decide it’s time to separate … but which one will survive this miraculous ordeal?

This tongue-in-cheek production looks with a slight jaundiced eye at the ancient themes of love and transience while placing it in an absurd context. Are human beings likely to find their perfect partner or are the chances just endlessly slim?

It’s a challenging piece, which should translate perfectly on stage with hopefully much laughter at the fallibility of man.

Two strong solo productions include Marion Holm, a seasoned actress who works wonderfully with words and life as she experiences it. She has her own style, a way of sharing her stories that are hysterical and sometimes quite harrowing but everything is done with such hilarity, it’s laughter from beginning to end.

On a dramatic note, Je-ani Swiegers stars in Die Vrou Op Die Dak, which tells the story of a woman who flees to the roof of her house where she hopes to find the answers to a life that has suddenly become impossible. Everything she thought she knew is disintegrating and she hopes this fresh perspective might bring fresh insights.

And don’t miss out on the latest offerings from the grand dames of cabaret, Elzabé Zietsman(with Tony Bentel in the perfectly pitched Femme is Fatale) and Amanda Strydom (Amber/Ombré). Their staying power is unique as they keep refining their artistry.

It’s a lucky packet of plays with a selection of everything one could possibly wish for when going to a festival.

And then there’s more and many different entertainment options waiting to be discovered at https://aardklop.co.za/program-2023/

Also to follow, is Nataniël’s Aardklop production as well as the rest of his surprise packages.

PhD UP STUDENT COOKS UP A FESTIVE GHANAIAN STORM WITH TIGER NUTS THE STARS OF THIS SHOW

Under the guidance of their lecturer Dr Hennie Fisher and Prof.Elna Buys of the Department of Consumer and Food Sciences at Tukkies, the students regularly host dining events as part of their studies. On this occasion it was the turn of PhD student Irene Darkwa who was presenting Ghanaian food paired with South African wines. It was quite something, as DIANE DE BEER shares:

Irene Darkwa, PhD student presented a fantastic Ghanaian food and wine pairing experience (left); and an opening ceremony of Ghanaian dance and music.

Perhaps it makes complete sense that one of the best experiences of sampling food from this continent should be at a local institute of learning. And I’m not exaggerating.

Receiving an invite from PhD student Irene Darkwa with the instruction that we would be required to taste and rate various courses based on their appearance, aroma, flavour, taste and overall dining experience as part of her studies, I was intrigued. And delighted to see that one of my favourite chefs, Lientjie Wessels, was my table companion.

A fabulous display of African style from the lunch guests.

Irene’s specific field of interest is the Tiger nut, scientifically known as Cyperus esculentus and belonging to the family Cyperacea. It is a cosmopolitan perennial crop which belongs to the same genus as the papyrus plant.

She explained that it has a sweet, almond-like taste with many health benefits and nutritive values namely fibre, proteins, and sugars. They are also rich in oleic acid and glucose, as well as phosphorus, potassium, and vitamins C and E, and are found in the eastern hemisphere, Southern Europe, North and West Africa, and the Middle East.She had some samples on the table, which we could taste but of course, all the tastings also included the product.

Table talk.

Irene’s interest in conducting research is linked to the fact that tiger nut crops are hugely underutilised worldwide especially on the African continent. In America and some European countries, it is used as fishing bait and animal feed, yet it contains a number of nutrients and can be used to produce a variety of products such as oil, flour, milk and possibly cheese, which she is investigating.

Her studies are also targeting a worldwide awareness that we have to adopt a plant-based diet to adhere to the Sustainable Development Goals adopted by the UN’s General Assembly in 2015.

She is excited that her research findings have the potential to contribute to the process of cheese making using plant-based products. Tiger nuts thrive in West Africa and are grown and sold mostly by women, and its commercialisation will increase demand for the crop.  This will address unemployment, wealth creation (poverty reduction) and food and nutrition security improvement, explains Irene.

Women, she argues, especially in Africa, are the most vulnerable and impoverished. “Focusing on uplifting them, their livelihoods and providing a market for their crops will go a long way in transforming economies and ending poverty.”

Taking all of this on board, the menu was devised to allow us to experience a fine-dining experience of Ghana on a plate. With Tiger nuts as the hero, the idea was also to transform them from plant to plate.  All of which was done magnificently.

The appetizer: Tigernut and Tilapia mousse in a plantain shell:

Pretty as a picture with unusual combinations and textures brushed with yaji (a nutty spice mix) for some extra kick. I also loved the plantain shell, which was quite chewy and so different to what a normal pastry case would have been. A mousse was the perfect way to incorporate the cheese. It was as if she was giving us notice with this quirky amuse bouche and I knew we were in for something extraordinary.

This was followed by a salad, which was the only disappointment of the meal. Apparently very true to a Ghanaian table, this deconstruction was boring and bland. It seemed little more than a salad leaf holding what looked like bully beef squares and veggies. Lientjie suggested that if you’re going to do this in fine dining style, everything must be made from scratch. The meat, for example, should be your own concoction. Because Irene had explained that in Ghana many more ingredients would have been used, with sardines as another option, Lientjie felt she should really have played with that. And the tiger nut could have introduced some texture and taste.

Soup: The tiger nut and palm nut soup with crispy chorizo served with a herb brioche and herb oil was a different and quite delicious story. The flavour was special, complimented by an imaginative brioche.

The first main course consisted of a fish mosaic which was beautifully prepared and presented with tiger nut and corn banku (cassava and corn pap which is fermented) served with shito (black pepper) emulsion and an avo spume. Lientjie sighed and I share her exasperation with spume which to her mind is just a silly modern trend. “Let it go,” she suggested and I agreed but fortunately, the dish was so complex it did no harm. I loved every  mouthful.

The second main course was a slow roasted rosemary infused rack of lamb with tiger nut milk-infused waakye (rice and beans), roasted tomato sauce, carrots grilled with balsamic honey and cheese, microgreen herbs, gari (cassava root) tuille and boiled egg. Irene explained that Waakye is another popular dish in Ghana also accompanied by boiled eggs, vegetables and gari but she decided to use tiger nut cheese and milk and used the gari, to make a tuille. The meat was beautifully cooked and extremely flavoursome with everything coming together quite magnificently.

And these two main dishes are two of Irene’s favourite Ghanaian dishes which she refined with great finesse.

A sparkling African Palate Cleanser.

In the Cheese course which Irene made, two of the cheeses were made with tiger nuts and I really loved the texture and taste. She said that it needed further experimenting, but this tasting was good enough for me. Instead, I felt the cowmilk cheeses were still lacking flavour and I would have been happy with only the tiger nut samples (and here she gave a special nod to Prof Buys for her support and help). Her own version of biscuits were much nicer than the bought kind. I can see what Lientjie means when she says that fine dining demands that you make your own. It certainly adds to the whole.

In a sweet conclusion, she served an Atadwe (tiger nut) pudding, coconut caviar, tiger nut ice cream and meringue, which was light and luscious, and followed this with Adaakwa truffles coated in tiger nut flakes, Kube cake (coconut brittle) and tiger nut ganache bofrot (described as similar to vetkoek). Every bite was delicious and the perfect finish to such a brilliant meal.

It’s the kind of food I love eating, especially when the chef experiments and plays with new flavours and finery. What made it even more special was that it was Irene’s take on her birth country’s cuisine, and in the process, she developed a menu that reflected that country magnificently.

This is what I would like to eat if I was a visitor to this continent. Most of our restaurants are still serving mainly European cuisine and hopefully these kinds of experimental adventures will contribute to changing that.

 This young woman has proved (and something we all know yet don’t sample enough) that we should  celebrate what comes from this continent because if we don’t, who will?

And if you can do it as brilliantly as Irene Darkwa, why wouldn’t you?

On September 30 at 5pm a Food Pairing with Creation will be held at Eat@UP Restaurant (in the old Agricultural building on the campus).If you are interested, click on form.

TWO PRETORIA SCIENTISTS EXPLORE THE MIRACLES OF MUSHROOMS

Two savvy scientists are quietly revolutionising the world of mushrooms with their biological control solutions to enhance sustainable farming as well as their triumphant growing of truffles in moss chambers 365 days a year. DIANE DE BEER found herself in their bubble of wonderment in their factory in an industrial hub in Pretoria:

State-of-the-art Musterion factory

When I first heard about two Pretoria scientists, Helga Dagutat (microbiologist) and Nita Breytenbach (plant physiologist), who are producing truffles, I was excited to meet these two women who seem to be changing and challenging existing norms in a world where few women even in these current times can kick dust in the eyes of their male counterparts.

And they delivered not only on the truffles but also in personality and a characteristic which I suspect is their driving force, perseverance, in bucketsful.

Nita Breytenbach (plant physiologist) and Helga Dagutat (microbiologist)

I was  invited, to my delight, to attend their second truffle-inspired and infused dinner, and I couldn’t have been more excited.

The last one was a year earlier and this time the menu was inspired by ancient ingredients and to listen to Helga talk about an almost year-long experiment with the menu and the produce, is what the whole truffle experience means to these two women.  They have added their own kitchen in the factory where they play.

A truffle from the moss chambers.

Their main line of business is their biological control solutions which enhance sustainable farming, thus empowering farmers. And with the tide turning overwhelmingly  to biological rather than chemical control, these two have found themselves ahead of the curve. It is fascinating to hear them describe the development of their unusual business which is based on the use of the edible mushroom mycelium to control the pests that could damage the crops and as Nita explains it, with healthy results overnight. Mushrooms rule almost everything they do. They have even been quoted as saying that it is mushrooms that produce their amazing plant life at the factory.

But we are gathered to celebrate truffles and I’m not going to expand on the technical hazards experienced with growing truffles, only delight in the fact that these two women have developed a way of growing truffles 365 days a year in moss chambers … in their state-of-the-art factory in Koedoespoort. This side of the business called Mustérion is all about truffles.

They are growing two kinds: the black ones which are found in Perigold, France (Tuber melanosporum) as well  as the white ones (Tuber magnatum) found in the Piedmont region of Italy.On the night, we were treated to an abundance of what is more commonly referred to as black diamonds (even if that term has a different meaning in this country, intention of the phrase is the same).

But to the menu. Just looking at the detail, beautifully presented by their graphic designer, it is clear that the theme of the evening Ancient Ingredients from Earth to Plate – Mustérion, makes complete sense.

Truffles were probably first discovered (according to the notes on the menu) by the Amorite civilisation where archaeologists excavating a 4 000-year-old Amorite palace found remnants of truffles still in their baskets. And it is this sense of ancient mystery that they wanted to capture for diners at this unusual event.

Amuse bouche

From the amuse bouche, presented in their dramatic courtyard with huge fires burning and Pretoria’s night sky presenting the perfect backdrop, how can one not go weak at the knees at the presentation of charcoal (burns warmer than wood and was used by the Egyptians to smelt ore in ancient times) tortilla parcels filled with porcini cream and Mustérion Craft Truffles.

I think the word umami was probably invented for truffles. How does one even try to describe the taste sensation this much revered and precious ingredient unlocks? But with the inventors of this specific version, they also know how to create a menu that will best showcase their particular gem. We were told we could have two, but I knew what was waiting and first one’s flavours were still working their particular magic.

A table for a truffle feast.

Inside an open space in the factory, at the long table, the perfect setting and magically dressed for the night, we had been assigned seating. I was blessed to find Nita on my left and Helga across the table ready with insight about her meticulously crafted menu.

Caremalized pear (one of the oldest cultivated fruits) and Cremezola soup with the craft truffle served with an ancient bread and … truffle butter naturally … had me salvivating. Amaranth seed (which was domesticated 8 000 years ago by the Inca, Maya and Aztec)was used in the bread. The pear, the cheese and truffles, that’s a no brainer,

 How I loved seeing the phrase sorghum (8 000 BC traces were found in Egypt) mille-feuille at the start of the next description. The filling was the fairytale-shaped Shimeji mushrooms paired with Macadamia complimented by a cheddar and artichoke mousse with craft truffle. It was the most deluxe comfort food I have had in the longest time.

Rooibok carpaccio with Grano Padano (similar to Parmigiano but produced by monks a 1000 years ago), Baobab craft truffle spheres and a prickly pear purée (fossilised seeds more than 7 000 years old found in Mexico) was plated so artistically, I hated spoiling the picture, but it was one of my favourites. The combinations simply sang exquisitely.

If  I mention favourite, every new dish, brought yet another truffle extravagance, so to reflect about the best is a senseless endeavour. It was the complete table that underlined the excellence and excitement of the night.

A taco with a cashew parsley paste filled with date and spiced honey butter  (truffle enhanced) topped with charred mielies (which emerged at the dawn of human agriculture about 10 000 years ago) followed by the eland fillet topped with greens and Kremetart mustard (which Helga exclaimed with enthusiasm as “next level” and I agree fully). The oldest Kremetart tree -or Baobab – has been dated as at least 1 800 years old.  And how clever of her to add that to the dish which was further bolstered by a pap and queso sauce with truffle.

It sounds like much too much, but it was a tasting menu magnificently paired by the affable Gavin van Zyl who I had previously always met in his barista capacity. But on this night he was the main chef guiding the students from the thriving Capital Hotel School as his assistants. He was also assisted by chef Paula Wilson, someone who has a deep passion for food – the eating of it, the cooking of it and exploring different flavours, textures and cuisines.

Gavin was also responsible for the adventurous wines paired spectacularly with every course.

His choices were done by memory because he had to make them without tasting the food, yet knowing the menu. “For me, the challenge was to get people to think about what they were tasting before and after tasting the wine – and vice-versa,” he says. And he did this excellently with a marvellous selection .

Bonbons made with Ethical Eats cacao with 25g truffle each served with French cognac

The atmosphere was magnifique, the company foodies all, and the extended evening slipped by languorously.

I had a taste of the ancient potato (have to include that when talking ancient produce) pudding with a nutty Cacao drizzle and truffle as well as the most exquisite truffle BonBons served with Dubouché French Cognac again outside around the fire to complete the full circle that the Mustérion evening represented.

It is the extraordinary vision of Nita and Helga, the way their scientific minds work, what they have developed and achieved in such a short time and perhaps most importantly, they are always at play. And that is what I found most contagious – and joyful.

AFROBOER – A CELEBRATION.TEN YEARS ON.WITH AN EXPLOSIVE FUTURE AHEAD…

By Diane de Beer

When I think of Afroboer, I think about the people and the place first.

Simply the best.

It is the way owner Michelle Cronjé-Cibulka(above) has embraced her food empire or, as she names it, a baker’s café (including the deli and coffeeBAR), and grown it from its early beginnings.

It’s not a pop-around-the-corner kind of place for most people, you have to get into your car and drive there.

And it’s always busy and buzzing, but fortunately with many nooks and crannies and a spot for everyone. You can sit surrounded by people all doing their own thing or you can slip away somewhere quiet if that’s what you prefer.

We have to start with the people. From the start Michelle had a specific ethos. It’s wasn’t the easy route, but she knew it was the only way for her. She handpicked her staff and trained them to present the personalities they are today.

At work: Ignecious Makena (chef-in-training); Merveille Kapinga-Luis (Pastry Chef); Jefrey Masimula (chef-in-training)

They know what they’re doing, they do it well and this keeps the place humming. But that starts from the top with a heartbeat that has all the right rhythms.

Everyone will have their favourite spots and I will always think with fondness of a time during covid when they could start serving take-away coffees. I found a special corner in the garden where I could catch my breath and drink my coffee. It kept me sane.

My feathered friends.

Outside always steals my heart and I suspect it has much to do with the chickens who come out to gaze. They have such mesmerising impact.

The surroundings are exquisite and the atmosphere calming even though there’s a constant stream of people coming and going.

But none of this would matter if the food wasn’t their strongest feature. Everything else is a huge bonus but the menu is what truly makes a place sing.

Breakfast is king.

The name is a big clue. For breakfast I yet have to move past their Eggs Benedict, but my heart also misses a beat just from the descriptions: creamy Plain Baked Whiskey Oats or Plaasbrood French Toast, for example.

Michelle has learnt to bake bread from the best (in Knysna!) and her imagination keeps you intrigued as she is always thinking ahead with plans that reach for the stars – as they did right from the start.

Croissants freshly baked.

In the winter chill, Ertappel Sop or Lamb-shank and Tomato are equally enticing, but when I glance at the salads, Oh my Goodness Grain and the Rainbow Plant also grab my attention.

You have to be extra hungry for a hearty Pulled Pork Panini or Shredded Lamb on Whole-wheat.

And if you haven’t yet landed in trouble with their sweet delights, you’re stronger than most. Stay away from the baker’s café if you don’t want to indulge but make the time to discover your own favourites. It’s also ideal for gifts, beautifully presented, there’s much in the deli which can be collected for friends and family who need a special something.

Afroboer is where I come when I want good food, comfort, and the best place to have a conversation with a friend. Your time can be as long as you want it to last. In today’s fast world, it’s lovely to find that sweet spot where people welcome you to stay as long as you wish and to linger to your heart’s desire.

Do I know and adore Afroboer and Michelle. Of course I do. She easily won me over these past 10 years. She and her place stole my heart because of what she does and how she does it – all of it. And I’m constantly surprised at how she has expanded and grown her vision.

I also know, for her this is but the beginning. There are many plans on the cusp of being implemented and there are ideas still swirling around as they’re being fine tuned for the eventual reveal.

In the meantime, if this is what the first decade has delivered, I can’t wait for the next one!

WORDS, WORDS, WORDS, WE JUST LOVE WORDS SAYS THE VRYE WEEKBLAD WITH THEIR BOOK FESTIVALS

Book festivals are becoming more and more popular but if you think they’re easy to curate and organise, think again. You have to think about the where, when and who, what kind of topics you want to present, find a balance between light and weighty, none of which will give you a sure-fire result. Deborah Steinmair from Vrye Weekblad cooked with the right ingredients. DIANE DE BEER was there:

Pictures supplied by Vrye Weekblad

Cullinan was the chosen spot for Vrye Weekblad’s first Gauteng Boekefees following the success of the Cape equivalent in Stilbaai last year. They’re also following with a third one in the Free State’s Clarens in July and there is talk of another one in the Cape. (If you’re interested, follow their social media…)

But this time, book genius Deborah Steinmair was the one who had to get all her ducks in a row. First she found the perfect venue, a church with a large hall, all on one property with parking across the road and in walking distance from where most people would be staying during the weekend.

Architecturally, if that’s your thing, it also had the perfect look. It is a Herbert Baker design after all and that’s what these kinds of towns dotted all across the country offer. Think Dullstroom, Clarens, Tulbach, and more…

And as the visitors started arriving on the Friday afternoon for the editors’ launch Daar’s ‘n Mier in my Broek (There are ants in my pants) with Max du Preez, Anneliese Burgess and Piet Croucamp, it was obvious that the weekend would draw a crowd.

Anneliese Burgess (right) and Piet Croucamp talk SA politics.

Politics in this country is part of our daily bread – especially now – and if you have a few breakaway voices setting the tone, you’re getting it right. But then that’s been a Vrye Weekblad trademark. You had to be there to catch their drift but what really hit the mark for me was the collective decision that we need new ideas not new ideologies.

And then a few pointers. Watch out for distractions. From what did the media turn their gaze when they were so obsessed with the Thabo Bester saga? But there’s good news on that front as well. Who would have known that Parliament could do such a deep dive when investigating Bester’s miraculous escape?

Lientjie Wessels (left) with chicken croquettes and venison and miso bobotie.

This was followed by another Deborah brainwave: asking one of our most inventive chefs, Lientjie Wessels, to host an old-fashioned grand dinner in what was once a diamond town.

The menu and pictures do the talking: from tomato soup with togarashi, to squash hummus, chicken croquettes, roasted beetroot with feta and herb crumbs followed by a venison and miso bobotie with the traditional yellow rice and pear chutney, and concluding with a Persian love cake with lemon caramel.

And if you are wondering, like I did, about togarashi, it is described as a common Japanese spice mixture containing seven ingredients. It’s one of the things I love about Lientjie’s food, I always learn something. Also, you know that every meal by this creative genius will be something extraordinary, and I’m not exaggerating.

We stayed in the Cullinan Hotel and here I also have to give a plug, I was pleasantly surprised. Nothing fancy, but smartly yet simply renovated furnishings in the rooms turned this into a pleasant stay as well

Dinner by candlelight at the Boekefees.

The next morning kicked off with Renée Rautenbach Conradie’s discussion with author Willemien du Preez on her book described as autofiction, ‘n Plaas se Prys. And what that means is that the story is based on her life but interwoven with fictional elements. The talk was titled Futility farm and the Afrikaner’s farm gene. The drift of the story is a couple following their dream, buying a farm and then finding themselves literally and figuratively overwhelmed by the elements – with dust and flies dominating.

It’s a universal story of broken dreams … and yet she lives to tell the tale and probably another, and another.

A highlight was a collective group of feisty women authors who captured the imagination and the spirit of the book fest.

Borrel, gorrel, smoeg en wroeg (loosely translated à la Shakespeare: boil, bubble, toil and trouble) Women who write can bewitch: including Gerda Taljaard (Vier Vroue), Bettina Wyngaard (Lokval), Renée Rautenbach Conradie (Met die Vierkleur in Parys), Michèle Meyer (Moer), Celeste Theron (her first will be released in the next few months), Emma Bekker (Vel), and Marida Fitzpatrick (Mara).

Deborah took the reins: one needs her kind of wicked humour to get the sharp-tongued talk going and with these more recent than others, but all spending stolen or free time on words.

Asked about feminism, the responses varied from an aversion to labels to Wyngaard’s struggle with the basics. If people aren’t accepted as equal yet, how can we ignore the fight?

Feisty females: Back: Emma Bekker, Gerda Taljaard, Marida Fitzpatrick and Renée Rautenbach Conradie; Centre: Celeste Theron and Bettina Wyngaard; Front: Michèle Meyer and organiser Deborah Steinmair.

Some members of the panel are inspired to write by history, others want to investigate certain questions, yet another talks about fever dreams or even nightmares when awake. There are also those thoughts that burst through from the unconscious just before you nod off and another feels for her, writing is the only way to express herself.

And just to throw the cat amongst the pigeons, Deborah wanted to know whether women write better sex scenes than men.

For Gerda it was simple: The male gaze can be quite technical. Replace that with a woman’s perspective and it’s softer, more subtle.

And then I have to agree with Anneliese Burgess about the deeply serious closing  conversation of the day between editor Max du Preez and writers Johann van Loggerenberg (former head of the investigative unit at SARS) and Pieter du Toit discussing ANC Billionaires and Rogues.

It’s the kind of meaty discussion, “an in-depth analysis about the state of the nation”, is how Burgess describes is, you want to conclude with, even though I sadly had to leave after the cheerful chatter of the female authors.

Sunday suitably swung into a gathering of poets (Johan Myburg, Jolyn Phillips, Kirby van der Merwe, Eunice Basson, Martjie Bosman, Emma Bekker, Johann Lodewyk Marais, Pieter Odendaal and Jaco van der Merwe) who did their reading in the Baker church before a final meal with Frik de Jager whose selected dishes each told its own story.

And just like that, it was all finish and klaar. With the next one just around the corner.

I can’t wait.

TWO OF THE BEST CHEFS IN THE BUSINESS MAKE MY HEART SING WITH THEIR ARDENT APPROACH

It’s a blessing to have had meals cooked by two of my favourite chefs recently, not having been at their tables for quite some time and as always, their food was simply the best. DIANE DE BEER pays tribute to two of the best:

Enchanted garden.

I have been a Lientjie Wessels fan forever – of her food, her art, her writing and more. Having tried for quite some time to go to one of her Cullinan long tables, I was excited when finally I could go with a group of foodie friends for one of her delightfully quirky meals.

Lientjie Wessels.
Portrait: Hennie Fisher

That has always been part of her charm for me. She makes the kind of food with ingredients I really love. A long time ago she told me that for her mother, who passed on her love of food to her daughter, it was all about taste. I think she also taught her about unusual flavours and combinations.

Right from the start, my chef consort Hennie Fisher was just blown away by her very first dish of the day: Japanese-style pancakes, homemade mayo (and she was heard murmuring as an aside that she had put this together incidentally but would include it in her repertoire, it was that good!), bonito, lowveld wild honey and spekboom.

Japanese style starter.

What Hennie loved about the dish was once again her creative playfulness. “It’s the clever way she emulated bonito with the fine powder biltong, almost turning the biltong into a kind of ‘land’ bonito,” he explains. “But also because she so cleverly combines meat and fish (even if both are dried), because it is so often a combination used in Asian cuisine. And how brilliant to make that connection with biltong and bonito!”

Just listing the ingredients should inform anyone about her innovative choices. But she’s not just throwing things together. Her cooking is instinctive yet thoughtful and she knows her customers. In her kitchen, she is always at play. And for diners, this is a fun adventure if you’re up for it.

Miso and peri-peri prawns.

The next one stuck to the Asian theme and clever combo with peri-peri prawns and miso with sesame coleslaw. It was just a dream and perfectly cooked. She seamlessly ticks all the boxes.

A Lientjie meal is possibly the only time I won’t shy away from krummelpap (maize, polenta), not one of my favourite foods but I knew if anyone could, she would convert me. She won me over with her specific buttermilk version served with Koji beef rump, a ginger steakhouse sauce (how can you not fall in love with that choice!) and pickled cucumber. It’s in the detail and the combinations, everything contributes to that single spoonful taste explosion.

And to perfectly conclude in Japanese style, the dessert, a cotton cheesecake with cinnamon syrup and tennis biscuit crumbs, sealed the deal, which I proclaimed perfection. Even as a cheesecake fanatic and two visits to Japan, I had never encountered a Japanese cheesecake before.

And blessings to the internet, which explained that this version is also known as a soufflé-style cheesecake, usually lighter in texture and less sweet than the more traditional version. But then also to serve it with Tennis biscuit crumbs! How could she not?

It’s not only the food that’s spectacular – the fact that Lientjie no longer has a restaurant in Cullinan hasn’t deterred her one bit. She simply commands the kitchens of friends in venues that contribute to the ambience of the event. And this one certainly did as I’m sure each one will. The walk up to the house was like stepping into a fairy tale.

Lientjie has recently bought a house in Richmond (Cape), a town that is fast becoming yet another food destination but with added interests like Die Karoo Padstal, Richmond Rooms and Café, MAP gallery with one of the best local art collections you will find anywhere, a bookshop to keep you busy for days and much more. It’s the perfect halfway stop.

And in future, when she’s in town, she will also be doing lunch in Richmond, like on April 9 when she is presenting a fantastic feast. If you’re passing through or sleeping over, book a table. She’s also doing a dinner in Cullinan at the Vrye Weekblad Boeke Fees, which promises to be spectacular.

Check her out on Facebook and Instagram for information. And whatsapp her on 082 531 6141 for bookings.

But while in Richmond, that’s also the location of my other much loved chef, Klaradyn Grobler of Richmond Café and Rooms and Die Karoo Padstal fame, who is also back in business. Yet she is still arguably the hardest booking to pin down.

I was thrilled when on our last trip to Cape Town, to show the London family the best of the best, we could manage to secure a booking for dinner while sleeping over at another guesthouse, one with an attached gallery – it is that kind of town, one with many hidden gems.

We had the best of all worlds to show off this spectacular landscape with a dinner celebrating Karoo lamb included. On our journey that morning we were sent the menu on our phones with three of us opting for lamb chops with roasted vegetables, while I couldn’t resist the lamb curry and one of the diners who couldn’t eat lamb, had a bacon pizza.

As with Lientjie, the venue is just as important as the food. In fact, I recognised Klaradyn’s style (having seen it in the Free State) when I first had a meal at her Richmond Café and Rooms. It’s unmistakable, buzzing with creativity and  probably complemented by her husband Nicol’s architectural skills.

And with both these chefs, their style enhances the full experience. On the night, we had two charming women in the kitchen, and as they had our choice of meals ahead of time, everything ran very smoothly.

Fresh home-baked bread and home-grown tomatoes.

We sat down at 6 pm because the kitchen closed at 7 (one listens to their commands!) and were presented with what was the perfect starter, home-baked bread (deliciously thick slices) with farm butter and fresh tomatoes from the garden. We had to battle not to indulge to the point of messing with our mains.

And then the main attraction. I absolutely lost my heart to Simon’s lamb curry with flatbread even though the lamb chops (I had a taste) were fantastic. For me the curry had just the right flavours to celebrate the lamb and after a long day’s travel, it was the best comfort food.

The chops were served with roasted vegetables in just the right mix. It is a skill to present a simple meal to perfection. There’s nowhere to hide so everything has to work. And it does!

On the counter was the night’s dessert, a bumper milktart, which had us licking our lips. At R250 a meal, it’s a steal.

Both these chefs, Lientjie and Klaradyn, popped in to discuss their food and acknowledge that they were dealing with diners who are devotees of their special way with food. We appreciated that.

It’s not difficult to understand these two spectacular women, the way they cook and how in different ways they celebrate their strengths. For me part of the charm is their similar ethos, presenting diners with food to die for and yet, their menus are so different. It’s about how they go about it and what they come up with – and in the end, as they say, the proof is in the pudding!

For bookings and info: Richmond Café and Rooms 079 755 8285.

CULINARY STUDENTS OF THE CAPITAL CITY PRESENT DINERS WITH FUTURISTIC FOODS

PICTURES: Hennie Fisher

What makes Tshwane such a fascinating foodie region is not just the restaurants or even home-cook scene, but also the many culinary teaching institutions that constantly produce fantastic events, always value for money and with cuisine that is usually forward thinking or at least on the edge of what is happening in the food world. DIANE DE BEER shares her two latest experiences with the city’s smart young training chefs and the way they are guided by the best, including Tashas’ Elze Roome, Geet’s Gita Jivan and Capital Hotel School’s Marlise Whelan, as well as Hennie Fisher of Consumer and Food Sciences at the University of Pretoria:

The chefs participating in the Capital Hotel School event, Geet’s Gita Jivan, Capital Hotel School’s Marlise Whelan, and Tashas’ Elze Roome with Hennie Fisher of Consumer and Food Sciences at the University of Pretoria, who was in charge of the second event.

It started for me at the Capital Hotel School with chef Marlise Whelan inviting Geet’s Gita and Tashas’ Elze Roome to guide the students through an evening of film and food.

The title of the evening was The Hundred Foot Journey, but the movie was simply an inspiration as watching and eating don’t always work well together.

And with this trio of chefs, you wanted to pay attention! It started with bread simply presented with a fresh sourdough, tomato, radish, olive oil, green olives and aioli. This girl could not think of a more perfect start.

The amuse bouche was the drop-dead combo of mignonette oyster and chicken liver paté, followed by the first starter of prawns and Hollandaise which included quail egg and caviar to complete the pretty picture.

The second starter took me back to the ‘60s when my mom, who was a keen dinner party cook, often served mushroom vol au vent, but these spectacular numbers boasted wild mushroom in a creamy ragout and this updated version is especially delicious.

Wild Mushroom Vol au Vent and Prawns and Hollandaise.

Before the mains, the palate cleanser was a tangy lime sorbet followed by an Indian Feast. Gita did her thing with platters of Dhal Arancini, Badami Murgh Tikka Masala, Nalli Gosht, Lemon and Cashew rice, Rumali Roti, poppadom with achar and sweet chili.

An Indian platter of deliciousness.

I can easily be bought with a roti, so to add all the delicious Indian spices and sauces with hints of cardamom, saffron, ginger, cinnamon and the list goes on, was la taste sensation. It was a licking of fingers as the dhal and the tikka masala had to share honour with the lemon and cashew rice, a poppadom for those who still had room and then there was more.

A pretty orange phyllo mille feuille.

The desserts included an orange phyllo mille feuille as well as cardamom chocolate ganache, orange confit and sabayon and a pineapple halva with almonds and rose petals.

It was a dreamy meal with Warwick, Simonsig, Paul Cluver and Pierre Jourdan sharing the wine honours.

It was lovely to bump into the bubbly managing director of the Capital Hotel School, Ronel Bezuidenhout, and the evening, magnificently presented from every point of view – parking to presentation of the food – was a huge success. It was great to see that they are maintaining standards and that there’s as much enthusiasm amongst the young chefs of the future as there ever was.

The spectacularly colourful Mapula Embroideries servers.

A few weeks later it was the turn of Hennie Fisher’s students to impress. The menu on the day showcased indigenous produce and products, one of their regular annual features and something I really enjoy. Dene Kirsten was tasked with creating the menu but in the end it was a group effort between her as Chef de Cuisine and the BConsumer Science Hospitality Fourth Years in different roles all participating in testing and perfecting each menu item before the finalised version was served.

We can argue for years about a typical South African meal and some day we might get there, but, if these University of Pretoria students have any say, they will be paving the way. Keeping South African dishes in mind, the brief was to create a menu utilising the gorgeous and abundant indigenous ingredients found in our country. Sustainability was also important to keep in mind when conceptualising the menu and event.

Grilled African eggplant, sundried tomato, roasted courgette and drained Amasi rolls.

 Grilled African eggplant, sundried tomato, roasted courgette and drained Amasi rolls started us off and got those juices flowing.

This was followed by one of my favourites, fishcakes, in this instance, trout fishcakes with Garri, a flour made of Cassava roots, which was used to coat the fish cakes instead of bread crumbs. A salad combining crust spekboom, water chestnut, Jerusalem artichoke and Zulu oregano leaf salad served with a chakalaka pesto blew my mind. It was a most imaginative plate of food.

Innovative trout fishcakes with a spekboom salad.

Just reading through the ingredients gets my mind racing and it was as spectacular as it sounds.

The mains combined palak style morogo (which most of us are familiar with), okra, Venda kale, amadumbe (which is described as the potato of the tropics) and fermented pap paneer curry served with sorghum and tef risotto, marula and quince chutney, plantain chips and cowpea (also called black-eyed pea) Amagwinya (aka vetkoek).

For those not familiar with Venda kale, it is locally known as Mutshaina and a true heirloom plant. It has a much sharper taste, almost like mustard, than traditional bought kale. It can also be described as ‘meaty’ since it has a rougher texture and does not cook as soft as traditional kale.

Palak style morogo, okra, Venda kale, amadumbe and fermented pap paneer curry served with sorghum and tef risotto, marula and quince chutney, plantain chips and cowpea Amagwinya (aka vetkoek).

Using a very popular dish in South Africa, Saag Paneer, as the base inspiration, they looked at various ways to add indigenous ingredients. They replaced the traditional spinach with indigenous morogo and Venda kale and added some okra for an extra touch. The spicy and fragrant sauce was the main flavour of the dish. In the place of paneer they fermented pap, cut it in cubes and grilled it to add a crispy texture on top. With that a creamy and subtle teff and sorghum risotto (sorghum and teff are both underrated indigenous grains which were cooked in the traditional risotto method), crispy and salty plantain chips and fluffy cowpea vetkoek/ amingwenya was provided to mop up the delicious sauce. To balance all the spiciness, a sweet quince chutney was also introduced.

That’s quite a mouthful and quite delicious but as the picture shows, they could have played a little more strongly with colours and textures. The students disagree, noting that taste and flavour trumps everything. They did not want to sacrifice the flavours and fresh ingredients used just to add a pop of colour. I disagree, because visual impact adds to the experience  ̶   and one can have it all.

My favourites on the plate were the starches including the sassy risotto, the chips and the Amagwinya! And very high marks have to go for sheer invention.

A sweet conclusion.

The sweet conclusion vied for similar honours with a carob toasted Lowveld chestnut roulade served with chocolate and carob sauce, naartjie and mondia whitei (described as a woody climber!) ice cream, gingko biloba brittle, Cape gooseberry and prickly pear salad. Try and top that for something more local!

It was truly impressive, as were the tables dressed in their latest Mapula Embroideries servers which set the tone for a truly splendid South African meal. It was truly special.

This time the wines represented Fryer’s Cove, Haute Cabriére and Orange River Cellars.

And again I doff my hat to the students, their lecturers and guest chefs and their institutions who work hard to get them economically viable as well as energetically enthusiastic for one of the toughest yet rewarding professions out there.

And we’re blessed to have all this food innovation happening in the city. Check it out when you can. There are many different ways to try their food and they are usually at the forefront of what is trending in the food world.

A DELICIOUS MEETING OF MINDS AT LANDJE

Pictures: Theana Breugem

A sadness for many Café Delicious fans (like myself) was the day Rachel Botes threw in the towel. It wasn’t only that I would be deprived of her food, it was the venue, the bonhomie, the sidewalk chatter, a quick pitstop for coffee and chat … and yes, of course the food. But this is again their time, writes DIANE DE BEER:

But I knew that would come again because this is a chef who was born to do what she is famous for – her food and that embraces anything from breads to pies to cakes to delicious meals.

So when I was invited by the grande dame herself to attend one of the #OriginalDelicious team’s latest endeavours, I was excited.

They had been invited to collaborate with @Landje46, a beautiful performance venue in Shere, Pretoria East, and if, like me, you have no clue where that is, the entrance is on the extension of Lynnwood Road almost opposite Lombardi’s, very convenient and not difficult to find.

Landje-Delicious diners.

The invitation was for a once-off, full five-course sit-down long-table style Sunday luncheon under the trees on the lush property.

Live music was included, and estate wines from L’Avenir Wine Estate and Truter Family Wines, soft drinks and barista coffee were all available to buy.

(The meal excluding drinks was R450 per person, R100 per child under 12.)

Because we were guests of the chef, we were given the opportunity to enjoy the day with the chefs and the serving staff – something I absolutely love because it makes me a part of the process – without having to work but able to watch how one does these elaborate dining experiences.

Raisin and black olive phyllo cigars.

I also knew that the thing that has always excited me about Rachel’s food is her innovative nature. As a welcome snack, she already raised the bar with her raisin and black olive phyllo cigar. What a combination and what thought to put into something that is often an afterthought.

Pears poached in white wine and saffron stuffed with parmesan and Parma ham mousse.

This was followed by the starter, again unusual, a pear, perfectly poached (a knife slipped through it like butter) in white wine and saffron stuffed with parmesan and Parma ham mousse. Pretty as a picture but also light and just the thing to get those juices flowing.

Butternut roasted in condensed milk and rosemary.

And we would need that because mains was another Rachel favourite, slow-roasted lamb in a pizza oven – brilliantly done.

Slow roasted lamb with veggies.

It was served with vegetables and butternut roasted in condensed milk and rosemary. And as a delicious afterthought, a handmade olive shortbread topped with a slice of brie and preserved fig concluded that part of the meal and  you could choose what to do with dessert.

Dessert in a box!

In a smart move, they served Dessert in a Box, to take home. This consisted of a cocktail-sized milk tart, a mini bread-and-butter pudding, a cocktail-sized chocolate tart and homemade nougat, yet another #OriginalDelicious speciality.

You could have the desserts there, but for those of us who would have struggled with yet another course, it was the perfect ending to a special day. You could go home and in your own time, have the best teatime snack.

Handmade olive shortbread with brie and preserved fig.

What I liked about this affair, was the ingenuity of the venue, which was new to me yet ideal for many different occasions. The fact that they picked the #OriginalDelicious team was an indication of the kind of quality they like promoting and thus I was curious about the owner of this intriguing venue.

Mariese van der Linde, the creative behind this versatile venue, also has a background in food and following many meanderings down in the Cape mainly, she remembered her childhood dream. She had always wanted to create a type of Babylonstoren, where people could disconnect from the outside world and focus on the good things in life, “to celebrate life in the moment,” she says.

The Landje estate presents her with the landscape and the venue and she is developing the concept organically – piece by piece. She has an endgame in mind, yet there’s no rush. At the moment she is working with the dreams of others and organising their ideal events when  requested. She also does pizza evenings, music evenings (“I love the arts,” she explains) and then these monthly Sunday lunches, which I had just experienced.

Mariese van der Linde on coffee duty.

This was the first time for the  #OriginalDelicious group and Rachel is thrilled that this young fan who used to come to Cafe Delicious regularly has made contact.

They bumped into one another at one of Pretoria’s popular weekend markets, Busstop 7. Marliese spoke to her about collaborations, and that resulted in this marvellous lunch – with, fingers crossed  ̶  many more to come.

Myself (centre) with the two glorious women, Odette (left) and Maria (right) who get the food from the kitchen to the tables.

Because I know and understand Rachel’s food philosophy, I was impressed to hear that this young entrepreneur understood when she hit gold. For the moment, it is the perfect combo and with each of them coming from such a different yet similar place, it could be explosive.

Rachel is thrilled to be dipping her toe into these familiar waters again  ̶  without being overwhelmed!

It allows Rachel and Lulu de Beer, the #OriginalDelicious team to do what they do best, cook food with passion.

*The next Sunday lunch on September 4 in true Landje fashion is celebrating Spring with outdoor al fresco dining, a platter feast with delicious food by Rachel Botes from @original.delicious!
Live music by the talented 
@bassonlaasmusic, the perfect way to enjoy good food and company!

Meals are R550 per person;

R200 for kids under 18.
(Pizza, Ice Cream and a Soft Drink)

wine and soft drinks available

BOOKINGS ESSENTIAL
Email: landje46ongraham@gmail.com
Whatsapp: 083 250 4007
CASHLESS OR SNAPSCAN
BAR AVAILABLE to buy WINE, SODAS and BARISTA Coffee (from their famous coffee truck)