A Tale of Two Siblings Told in Travel and Food – Nataniël and Erik le Roux

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Men on the move.

Edik van Nantes: Winter is the fourth and last in Nataniël and his brother Erik’s kykNET series, finishing a particular story which started with the one brother living in the area and the other joining him to, amongst other adventures, discover their roots. DIANE DE BEER reveals more about the Le Roux siblings’ French love affair which can be seen from July 4:

 

Food is the binding factor although Nataniël is quick to insist that it isn’t a cooking show. “I hate those,” he says, “they’re boring.” Even if his brother has cooked in restaurants and he has spent his whole life dealing with food in some way, neither regard themselves as a chef. “We’re home cooks,” he says. But they make an abundance of food in the series, making sure there’s lots of chat and other things happening in-between.

Their secret ingredient is that Nantes is Erik’s environment, his home, and one that Nataniël has lost his heart to. “I love the old buildings, it’s as if they keep me safe,” he explains. And this love affair spills over into every frame of the series.

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The beauty of the country architecture.

He won’t leave South African soil, he knows he really misses his people – his family and friends – but when he is here, he misses Nantes, the place. It’s a different universe, one where he can immerse himself in culture and architecture, art and innovation. Erik is excited by Brittany’s food even though Nantes is no longer part of the region, while Nataniël delves in the Huguenot history. And the food is hearty and wholesome, food they like to eat. “Neither of us is attuned to fine dining,” he says.

The first season focussed on farm life, followed by châteaux (castles proliferate in the French countryside) and then the previous series focussed on city life. “Most of Europe spend most of their life in cold weather,” says Nataniël and he realised that while they had been cooking spring and summer cuisine in the first three Nantes series, the last would have to feature winter food. That, he also knew, isn’t the easiest thing to present, because the most prominent of dishes, stews, don’t film well. “There’s only so much you can do to tart it up visually,” he says. And they don’t like fiddling with the food because it also serves as meals for cast and crew.

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Water dominates the city of Nantes

“Everything we made was a full-on feast for all of us working, following the shoot,” he explains.

Village life was to be the setting for this one, that and a search for their forefathers. “I needed to know what this landgrab would mean for me,” he says with a twinkle in his eye to not only South Africans but also his French hosts.

While he believes this series is visually the most beautiful, it also cost blood, sweat and tears. “We don’t have stylists and set designers and builders. We had to do it all ourselves.” What he means, is that they had to create the studio where all the cooking is done. Because they were shooting village life, it had to be in one of those tiny houses that open onto a French street. “The house literally starts shaking when a baby in pram passes by,” he says. And the ceilings are too low and…

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A brotherhood – the Nantes gang.

So what they did was to recreate a miniature studio for themselves in the loft of one of these homes. Then they had to deal with the cold. “A dishcloth turns to ice and when you’re cooking and chatting, steam seems to pour from your mouth.” But they were getting used to extremes because Europe is currently experiencing the hottest and coldest seasons for decades. “We have cooked in both 17 and 47deg,” says someone who likes a temperate environment.

And while they were battling the cold, they were also fighting the clear blue sky and the sun. “When it rained and snowed, that’s when we got the cloudy weather we needed, but at its coldest of course, are these beautiful days that don’t translate as winter on television!”

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The silence of winter climes.

The atmosphere he wanted to encourage was a spooky one with evocative death dolls and missing soldiers, superstitions and investigations of mourning, all part of his French tale.

Their food choices were also determined by the harshness of winter in this region. Pantries had to be stocked with all kinds of delights which could be added to meals that would be prepared later. “It’s the concept of living inside, something foreign to South Africans – pretty much. Think home movies, crafts, hobbies, board games, all the things people do when most of their time is spent inside the home.”

Because they were shooting in winter, they had to contend with the darkness descending earlier, which they weren’t used to, and then you have to get through long evenings. The result was that Nataniël could again have fun with his lavish table settings. This time he was inspired by the shocking colours and grotesque images from across the street where a Salvador Dali retrospective was being exhibited, the largest ever held outside Spain. “It was pure coincidence, but we could watch the queues snaking around the building and see the amazing images of people hanging out of windows and strange creatures,” he explains.

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Room with a view.

“The Tannies are going to complain because it all exploded on my tables!” He describes what he created as a cross between Salvador Dali and the Owl House in Nieu Bethesda.

Knowing that this is the end of a very specific chapter in his life, one that he describes as the most joyous, he is grateful to Nantes that turned into a city of inspiration. It is as a city of contradiction, he says “It’s a Medieval city that has an obsession with modern art!”

That’s what this place brought to the table. Because he believes and finds food TV boring, he understands that you have to introduce different flavours. It also helped that the two Le Roux brothers were creating this series from nothing. Neither of them watches food television and they’re not part of that world, so what they do is completely instinctive and inspirational.

Always the one pulling the strings and managing his own career, he doesn’t say what’s next and doesn’t want to show his hand just quite yet. Enjoy this current series of 13 episodes which starts on July 4 on kykNET (channel 144) at 8pm (with re-broadcasts during the week). But remember to wait and watch, Nataniël is again entering a new phase and if anything, it will be something he is excited to reveal – and play with for the next few years.

BBC Earth’s Civilisations and Sci Bono’s Wonder of Rock Art showcase Humanity’s Urge to Create

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Pretoria artist Celeste Theron was commissioned to paint a mural for the children celebrating the imagery from Lascaux and Southern African rock art.

It’s an amazing and almost startling yet sparkling thing that there’s been an accidental converging of the Sci Bono exhibition Wonders of Rock Art: Lascaux Caves and Africa with the broadcast of the new BBC series Civilisations on DStv’s BBC Earth. DIANE DE BEER takes a closer look:

 

The Sistine Chapel of prehistory meets the Cradle of Mankind, proclaims a programme presented to the press at the first viewing of these amazing ancient works of art that tell us stories about prehistoric mankind.

It is exactly that reference that makes the exhibition Wonders of Rock Art: Lascaux Caves and Africa such an exciting one. To listen to Dr Tammy Hodgskiss-Reynard, curator of the Origins Centre or Dr Sam Challis, senior rock art researcher at the research institute, their excitement about the exhibitions makes you pay attention to what you are about to see.

And the importance of the exhibition is highlighted when one understands that even Dr Oliver Retout, CEO of the Lascaux Exhibition has never been in the real caves, where no one is allowed anymore because of their fragility. As he speaks about the originality we are about to see, the replica of a part of the cave which was unveiled and specially made for this exhibition, it becomes clear just how exciting this coming together of African and European rock art from different timescapes is for local viewers.

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Everything is ready for your own rock art imagination to play.

It’s also a great chance for rock art specialists to enthuse the public, especially children, where a large part of the focus is directed with many interactive activities to draw them into the exhibition and to help with their understanding. In fact, you even get to make your own rock drawing and your handprint can forever be part of a mural specially created for this exhibition.

But what was also clear when being taken through the exhibitions by the experts, it is very important to participate and to pay attention to every written word and all the interactive games – whether you are a child or an adult. It is an exhibition that asks for engagement if you want to fully benefit from what is on display. They make it easy, but you must get in there and pay attention – or don’t bother.

Also, if this is something you are interested in or want to know more about, take note of the many talks part of a public lecture series that are being presented during the timespan (from May to October) at the Sci Bono centre starting from 6 to 6.30pm.

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Dr Oliver Retout, CEO of Lascaux Exhibition talks about the miracle of this exhibition where two continents meet.

Here’s a list: 100 Years of rock art research in Mozambique; challenges for the interpretation of Southern Africa prehistory by Décia Muianga on June 14; The  Mind in the Cave: The book behind explaining Lascaux by Sam Challis on June 28; Hunter-gatherers and herders in South Africa: From final to ceramic LSA in the Limpopo basin by Iris Guillemard and Karim Sadr on July 3; Geo-archeology of Ethiopean pottery by Jessie Cauliez on July 17; On the origins of modern cognition and symbolic thinking – roots in the Middle Stone Age by Lyn Wadley on July 19; Rock Art in Uganda by Catherine Namomo on July 26; San religion and rock art by David Pearce on August 2; The Cutting Edge: Khoe-San rock-markings at the Gestoptefontein-Drieskuil engraving complex by Jeremy Hollman on September 6.

It’s an extraordinary event in the heart of Gauteng which we should all be excited about and one that will excite prospective archaeologists in our midst.

While this is happening, the new BBC Earth series Civilisations (the title is a reference to the series written and presented by Kenneth Clark almost 50 years ago and screened in the very early years of the SABC locally, is currently being broadcast on DStv.

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The three Civilisations presenters:, David Olusoga, Mary Beard and Simon Schama

Dropping in on a live interview (on YouTube) with the three presenters, Simon Schama, Mary Beard and David Olusoga, you will discover that this one is an attempt to create a series that is of our times. Just as Kenneth Clark is described as a man of his times which watching that first series will surely show you, the latest one simply by having three presenters already has a much larger and, especially important, wider scope.

In recent years, criticism of Clark had to do with his narrow focus, more specifically only on Europe, and even then, Spain was given a miss – to the great consternation of a country that takes great pride in its art, as it should if you think people like Picasso, El Greco, Goya, Dali and the list goes on.

But that was then and Clark being a man of his time is also credited with opening a world of art to the public. He was, for example, as the head of the National Gallery during World War 2 (at the time only in his 30s!), the one who realised that art would be a great escape for Londoners during those horrific times.

But that was then, and in the new series Schama takes us from the Paleolithic cave painting to the studio of contemporary artist Anslem Kiefer. Olusoga has expertise in Empire and military history and spotlights the relationship between global cultures while looking at the notion of progress. As an eminent classicist, Mary Beard investigates the way we see ourselves in art and at the relationship between art and religion by taking examples not only from Roman and Greek art but also material from China, India and Mexico.

The 9-episode series is something extraordinary and dovetails neatly with the above-mentioned exhibitions, again allowing different parts of the world to be compared while we witness above all why art matters. Art, they believe, is a measure of our humanity and that is what they set out to show – magnificently.

For all three it was important for this follow-up series (this time adding the important s at the end of Civilisations) to go to great lengths to find the right conversations for a new generation.

And as both the exhibition and the series show, humanity simply has an urge to create – come what may.

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Some of the signage at Lascaux which might be unlocked by someone visiting the exhibition.
  • Wonders of Rock Art: Lascaux Caves and Africa at the Sci-Bono Discovery Centre at the corner of Miriam Makeba and Helen Joseph Streets in Newtown until October 1. For more detail, check http://www.scibono.co.za.
  • Civilisations is up to episode 3 and broadcast on Mondays at 8.30pm on BBC Earth, (184). You will probably find the earlier episodes by streaming.

 

Travel with perfect companions: a chef and an art historian in Italy Unpacked

By Diane de Beer

Cartoons by Fatman

They bowled me over, right from the start. I was already familiar with Andrew Graham-Dixon’s art programmes which we see occasionally on BBC World (DStv) and had the Sicily cookbook by Giorgio Locatelli, Made in Sicily, but didn’t quite expect the fireworks to come.

I binged through four seasons and just couldn’t resist going on this Italian trip with these two delightful connoisseurs.

I knew I would like the art and the food is a no-brainer. What knocked me off my feet was the bromance between these two. It’s so charming and reminds one how people should be. When one lets the other into a secret (an insider’s ingredient or hidden artwork), the expectation from both and how they enjoy giving and receiving is simply spectacular to witness.

It seems that what must have caught them by surprise as well, is their similar passions. While they have different fields of expertise, the two dovetail and they could recognise where and how the other derived pleasure because their’s was the same.

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But back to the basics first. Italy Unpacked is four seasons with each one consisting of three hour-long episodes, and individual seasons focusing on a specific area in Italy with the last one traveling to Sicily. The different episodes mix art and food with the two men sharing their expertise, something extraordinary in their field in a particular region (like hunting for truffles) as they travel from one town to the next, sometimes a city (or the return of some lost art to the area it originated from) and at others, a tiny village.

It’s like escaping into another world and because Graham-Dixon’s art knowledge is so superior and specialist, he takes us to see very unusual works of art and often, while tourists are standing in long lines to see the leaning tower of Pisa for example, what this art historian regards as one of the best museums in the world in a particular field is just around the corner and completely empty because people just don’t know about it. But he does and he shares it lovingly with his friend Locatelli.

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The chef then, in turn, is inspired to cook a specific dish from that area which might have originated in the time of the painting. Or something in a work of art reminds him of a particular dish. But what moves him the most in his cooking is produce. He is driven by the particularities of the area and loves food of the region which he then shows his friend.

So apart from going on your own extraordinary tour through Italy, this is one to take before you actually go, because it’s the perfect guide book to plan a trip. Not only will you learn what to eat, you will also find the best places to find a particular food. Or if you want to make it yourself, where to buy the produce and how to prepare it.

Italian-born Locatelli who has restaurants in London and Graham-Dixon who is extremely knowledgeable on Italian art, swap their expertise in a way that takes us into a whole new way of traveling. I have always wanted some kind of wise bird sitting on my shoulder and whispering things in my ear as I walk through museums or try new food.

That’s exactly what these two do. They have insider info, they know the right people to speak to, and doors open for them so that they can capture the best of each place they visit.

Once I had finished the full series, I dipped into Locatelli’s cookbook and was charmed because I felt I knew the author so much better. Similarly with Graham-Dixon. Because he has made many art-related programmes (mostly for the BBC), it’s not cold turkey following this series. You will find many more examples of his work on the internet. Granted to double up on the firepower of the two presenters is simply the best, but individually they also have more than enough to keep you watching and reading.

It’s as easy as searching on YouTube for Italy Unpacked to start your viewing. The DVD’s are also available through Amazon or BBC sites. But do yourself a favour. As unusual as their mode of transport – from Maserati to moped – as unusual is their friendship as well as their conversation. And they throw the window open as widely as possible and embrace you.

I am obviously a huge fan. But believe me, watch them and join the club!

 

Television Telling it Like it Is in the Real World

Diane de Beer

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Benito Martinez in American Crime

If you aren’t watching American Crime, the latest series which started about two weeks ago, try to get to see it.

Proving the relevance of current television, the series – now in its third season – has dealt with racism and the other in some shape or form. But the present season has tapped right into the centre of The Donald’s heart. And if this vision of illegal Mexican immigrants in the US is just part of the truth, they are already living the nightmare the American president is planning for them if all his immigration laws are passed and the wall comes to fruition.

Most countries, I suspect, have their own version of illegal immigrants and we all know how that goes. As workers these poor people are exploited and because they are already on the wrong side of the law, they have no legal resource whatsoever which means they are being trampled on by everybody.

And who would want to be in a country illegally? I’m sure this is not a choice but simply survival. If your own country’s economy goes into the doldrums like it did in Zimbabwe’s case, where are you going to go? You need to work to survive and usually a large family is looking at you to make things happen. It’s like a new kind of slavery with no way out – that’s if you make it across the border where usually further exploitation is also perched just waiting to pounce on those already down and out.

But back to the US, let’s tap into family values, such a strong motivator in America. It’s often used to justify most everything. In this TV version, everyone’s preferred option, denial, is again at play. For centuries, landowners have abused their worker and because it was passed on from father to son, no questions are asked. “It’s always been like this,” says a son with an awakening awareness as his sister-in-law is driven to do something about life-threatening living conditions.

Getting things right and shipshape from the start would perhaps result in similar costs, but the longer you wait, the tougher it becomes to create better conditions.

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Felicity Huffman in American Crime

In the first two seasons Regina King, Felicity Huffman, Timothy Hutton, Richard Cabral and Lili Taylor formed part of the cast and have again been included in this latest harrowing tale which adds to the magnificence of the viewing. To watch Huffman for example morph into the different women she is expected to portray and inhabit is jaw-dropping. And Regina King is unrecognisable just because of a hairstyle. Grey’s Anatomy’s Sandra Oh and Cherry Jones (24) have joined the cast with extraordinary performances by Benito Martinez (How to Get Away With Murder, The Blacklist) and Ana Mulvoy-Ten who drive two of the three storylines.

It’s not easy to watch because of the nastiness of the story but it is important in the context of today’s world and so well produced that while it is tough to bear, it is riveting and impossible to turn away from once you’re hooked.

Catch up with the missed episode (there are three of them) on Google and if you have DStv, the fourth episode will be broadcast on Thursday on MNet (101) at 9.00pm with repeats following.

This is the real world, no matter what others tell you. We might think we have it rough but for too many it is just about survival and trying not to do anything that will further deteriorate your already miserable life.

Look around you.

Changing Life through the Arts

DIANE DE BEER

I was watching a documentary on the DStv’s Sundance Channel titled The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble (check for screenings on Channel 108, Wednesday, 17.30 pm) and Thursday (10.40 am).

I have always loved the cello but I had heard some of their amazing music before and wanted to investigate the origin and how it has evolved. I didn’t expect such a profound effect – with huge impact on what is happening in the world today and how each individual could make a difference.

We meet the young Yo-Yo Ma prodigy as he performs music way beyond his years and watch how, now with children of his own, he takes his music into different spheres – one the Silk Road Ensemble which is an attempt to bring different cultures and their traditional music together so that it could blend and not clash with one another as might be the case if you listen only to Western classical music and then hear Indian or Chinese classical music for the first time.

Music of Strangers

Made up of performers and composers from more than 20 countries, the Silk Road Ensemble was formed by Yo-Yo Ma in 2000. Since then, these artists have been embraced for their passion for cross-cultural understanding and innovation. The group has recorded six albums. Their latest album, Sing Me Home, was released in April 2016. This documentary about the Silkroad musicians was directed by Academy Award-winner Morgan Neville (20 Feet from Stardom), was released in June 2016.

When Yo-Yo Ma started with this ensemble in 2000 he probably didn’t envision the magnitude and the unexpected results. What he ends up with is a mini United Nations of extraordinary musicians, many who play their cultural music on traditional instruments.

You see Yo-Yo for example being shown a string technique by an Iranian musician Kayhan Kalhor who plays a string instrument called a Kamanchen that might be lost to the world, if these enthusiasts are not determined to take it up, become a master and pass the skills on to a new generation. Or the vivacious Galacian Cristina Pato who is a piano graduate but plays Galacian bagpipes  called gaita.

There’s also the sadness of a Syrian clarinetist Kiman Azmah whose haunting sounds reminds us of the healing powers of the arts in general. Few people don’t succumb but perhaps we don’t use it enough.

While listening to the evocative music, half classical, half folk, and watching these artists from all over the world communicate through music and seemingly having the best time while breaking the boundaries and ignoring the restrictions that might come from elsewhere, I was again affected by the strength of diversity. These are people from different corners of the world, playing music that comes from their roots (and hearts) and yet managing to blend it with sounds that might sound foreign to them.

In the end, the result is spellbinding. And one is charmed as much by the performers as the performance. It seems so obvious. It might be tougher to reach out, to work out the differences and to harmonise those disparate sounds into some kind of cohesive musical miracle, but the results are magnificent – and do-able!

Check it out, it’s a heartwarming documentary about the richness of cultural diversity. It concludes with Yo-Yo Ma listening to a young Chinese piano player perform – way beyond her years – as he clutches his heart in admiration.

The cycle is renewed and starts all over again.