Nataniël Set to Sparkle in Xmas Show

Nataniel Xmas posterDIANE DE BEER

It’s been a remarkable year for Nataniël with his first memoir published in both Afrikaans and English last month and a return to Emperors for his spectacular annual show. Now the sparkler on the tip of the Christmas tree is his end-of-year concert at the Atterbury Theatre in his hometown.

The title, Lily Refuses to Listen, is already worth the price of admission, but especially for those whose spirits are dampened by the distress of today’s world, this is one to opt for. An escape that will have you thinking while laughing and crying from start to finish!

From Tuesday December 3 tot Sunday December 8, Nataniël presents a brand new show at Atterbury Theatre for a limited season of 6 performances only.

“At the end of another year of being bombarded by bad news,” he writes, “damning prophecies, evil politics, corruption, loud neighbours, endless traffic, horrific music, bad advertising and desperate social media,” this is a time to celebrate personal space, personal choices, selective listening, self-care and resilience.

“Out with the bull, in with the beauty!” is his war cry. “Out with the yes, in with the no! Out with the trends, in with the timeless! Out with parties, in with privacy! Out with the ordinary, in with the exclusive!”

“Everybody was screaming as loudly as they could this year,” explains Nataniël as he speaks about the inspiration for this particular show. “Everyone wanted to make sure they would be heard or become famous.”

He also admonishes those who do selective listening. “You have to listen properly,” he says. “I want to tell people that it’s important to listen, not to be intimidated, but to really listen.”

Choice of music is never a problem. He loves Christmas music and often takes old familiar songs and turns them into something individual yet as sacrosanct as the original. Songs from the treasure trove of timeless blues, jazz, soul and pop, as well as original songs will all feature.

Costumes will be to die for, colourful and festive with a contemporary take on a more glorious time.

Lily Refuses To Listen features fantastical stories in both English and Afrikaans, but don’t expect anything to be ordinary or to unfold without exotic names for strange yet wacky and witty creatures and towns with names that remind you that we live in a weird and wonderful world. With this storyteller’s vivid imagination, it’s easy to follow the yellow brick road wherever it leads. And for 90 minutes, what is round might become square, but you would find it difficult to leave.

Nataniël shares the stage with c (piano), Werner Spies (bass) and Peter Auret (drums). Costumes are by Floris Louw and a Kaalkop Christmas Shop will be available in the foyer.

The show is 90 minutes long, with no interval, no cell phones, no shorts and no children under 15.

LILY REFUSES TO LISTEN: 3 – 8 December 2019; Atterbury Theatre; Book at iTickets

PS: Afterthought …

DIANE DE BEER

 

Nataniel costume

 

Nataniël has just finished his annual season at Emperor’s celebrating his 30 years as a solo artist with a season of 30 Years, 90 Minutes: Nataniël Celebrates 3 Decades On Stage.

One of my treats during these 30 years, has been revisiting a production towards the end of a run.

Because his shows have always been dense both visually and in content, review nights were particularly tense for me. This second time round, without stress, is my particular penchant.

I am not just inhaling and observing a one-off season, but one that has been 30 years in the making, was particularly informative and revealing about his creativity, his innovation and imagination.

That’s the way to do it! “I don’t want to bore people with one thing after another of the past,” he said. This was not going to be a best of…

What it was however was an insight into his mind, his personal favourites and a showcase of what he does best starting with his songs and his stories and then everything that he builds and layers around that.

The arrangements of the cover songs he sang, You’re My World by Cilla Black and Lately by Stevie Wonder ( a song he wished he had written, so perfectly it suits his voice) among others, were completely delicious as was some of his own music like Fall which he described as his personal favourite of what he titles his no-hit wonders!

Nats1

His voice has matured magnificently and he is completely comfortable and confident and  enhances his distinctive voice with the additional sounds of Dihan Slabber and Nicolaas Swart. And he is joined by a spectacular band led by Charl du Plessis (keyboards) and completed by Jean Oosthuizen (guitars), Hugo Radyn (drums) and Werner Spies (bass) who have worked with him for a very long time which means they can push the boundaries- and they do.

It’s a complete package that holds the rest of the show in a soundscape that runs through all the emotional hefts of a Nataniël story. And this was a show of single stories, each one a showcase of this master at spinning a yarn that has you screaming with laughter yet leaves you with a moment of melancholy that runs deep.

He tells a tale of a vision that he was holding on to while making  a truck-load of paper flowers. The repetition of the task was offset by what they were hoping to achieve – only to fail disastrously. Then comes the question. “What happens to you when the most beautiful thing you have ever seen is only real in your imagination? You go mad…”

And then it all becomes clear. The set that has been constructed on stage from the start of the show, is this particular image and with Nataniël’s extraordinary lighting abilities (he changes his costumes instantly with the colour and angle of the lights), he achieves exactly that. Not only for himself though, it’s also a vision for his audience. And it starts with what might seem a silly story about student escapades!

He speaks about extraordinary people doing ordinary things. But he constantly presents us with what seems ordinary – only to surprise us with wonderful stage wizardry.

That is the wonderment of his craft. And why it has been such bliss to watch the growth and explosive evolvement of this artist and his shows. It is a completely immersive adventure as you step into this fantasy landscape once that first note comes at you, usually from a darkened stage which reveals itself.

His shows are always that – a slow reveal.

Yet nothing is slow about his costumes (designed by Floris Louw) that glitter and dazzle, not in the expected fashion though and more Louis IV than Liberace.

This was his final curtain – for now – after 15 years at this venue, and he wanted to leave in style – which of course he did, powerfully.

He also wanted, in typical Nataniël style, to easily segue into his next venture, a smashing book on his costumes called Closet, to be released on October 9. His latest TV series also starts this week on Wednesday, Edik van Nantes 3 on DStv’s kykNET (144) at 8pm with repeats following.

So while he’s stepping off the big stage for just a moment, he leaves you with marvelous memories.

Thirty years of uniquely Nataniël performances have done that. He truly is a national theatrical treasure.

There’s still a chance to catch the show for some: Opera House, Port Elizabeth: 20 and 21 October; and Sand du Plessis, Bloemfontein; 26 to 28 October: